Saturday, September 29, 2012

[U150.Ebook] Ebook Download Parliamo italiano!: A Communicative Approach, by Suzanne Branciforte, Elvira Di Fabio

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Parliamo italiano!: A Communicative Approach, by Suzanne Branciforte, Elvira Di Fabio

Not only does Parliamo Italiano provide�students learning Italian with a strong ground in the four ACTFL skills – reading, writing, speaking, and listening – but it also emphasises cultural fluency. The�text follows a more visual approach by integrating maps, photos, realia, and cultural notes that offer a vibrant image of Italy. The chapters are organised around functions and activities. Cultural information has been updated to make the material more relevant. In addition, discussions on functional communications give readers early success in the language and encourage them to use it in practical situations.

  • Sales Rank: #22838 in Books
  • Published on: 2010-12-07
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.10" h x 1.00" w x 8.10" l, 2.65 pounds
  • Binding: Hardcover
  • 600 pages

About the Author
Suzanne Branciforte teaches at the University of Genoa. She is the author of Parliamo italiano!, a multimedia program for learning Italian and SA�, lo so!, a basic language program for middle school students of Italian. She is a translator and interpreter, and has published a translation of Renata ViganA's collection of short stories and Partisan Wedding. Her research and writing focus on linguistic and cultural mediation between Italy and the U.S, Italian American cultural identity, and the Second World War. Born and raised in New York, she currently lives in Camogli, Italy.

Most helpful customer reviews

12 of 13 people found the following review helpful.
If you need extra practice, this Workbook is for you.
By Nennena
First of all, be aware this is the Parliamo Italiano Workbook and not the Textbook (which is sold separately).

Second of all, this is the 4th edition Workbook that accompanies the 4th edition Textbook. Do not make the mistake of buying this for use with a different edition Textbook.

I have taught Italian for many years at the college level, and this book is one of my favorites.

This Workbook is made entirely of exercises and there are NO THEORY or VOCABULARY LISTS, which you can find in the Textbook.

It is very well structured, namely, it is easy to understand which exercises correspond to which section in the Textbook.

At the end of each unit, there is a very useful Pratica Comunicativa.

The book also has two sections: a Lab (or Audio) section and a Video section. The Audio and Video materials can be found online at the link given in the Workbook and accessible through the code - also in the Workbook.

All in all, if you are looking for extra practice, go for this Workbook.

If you want to learn Italian (grammar + practice), buy the Textbook, which comes with plenty of exercises, too.

11 of 12 people found the following review helpful.
Not a very good tool
By Bunny
We use this book in my class, and I really dislike it.

The grammatical explanations are weak, and presented in an ineffectual way. They aren't organized well: the grammatical explanations almost get lost on the page.

The verb presentation was virtually a recipe for failure for my class. There was absolutely no discussion of why verb conjugation works the way it does, ie no discussion of 1st, 2nd, 3rd person, no discussion of singular vs plural (I took Spanish and German and have very strong English skills, so I understood this, but the rest of my class did not). The 2nd and 3rd conjugations (-ere and -ire) were dumped all at once along with a huge verb list including the -isc form of -ire verbs. I thought the -ere work should have been separated from -ire verb work, so students could gain some mastery of one first, and the -ire verbs (normal and -isc form) should have been broken apart into 2 lessons groups. No way should there have been a huge verb list with an introduction. Also, reflexive verbs were introduced as vocabulary with NO explanation of how to use them until well after the fact (why bother teaching them as vocab if not going to give the skills to handle them?) and the explanation was inadequate (it simply introduced piacere conversational usage without explaning that piacere is reflexive). If you have some prior knowledge like I did, you are ok with these things, but if not... good luck because you will need it.

I also did not like the dialogues. They included vocabulary that was not explained in the margin notes and also was not available within the book's translation glossary. Another annoying thing... they used compound prepositions (nella, sulla) early but with no clarifying info. So, its was unnecessarily difficult to understand the dialogues.

The English-Italian, Italian-English glossary at the back of the book was virtually useless. At a minimum, words used in the text should have been available in the back of the book.

The exercises in both the textbook and workbook were weak and ineffectual. They did not build strength in sentence writing skill or appropriately emphasize the grammatical concepts under study. Example: 6 conjugation forms, but practice only with Io and tu responses. Or, even duller, repeating the same sentence with only a single idiom exchange... a waste of ink and paper and time. I found it more useful to write out my own sentences using the grammatical elements we covered, because the book exercises did not adequately reinforce anything.

The online material was a pain in the neck to get set up. If you make a mistake in the set up process, like I did, you need to create a new email account to start over. The online exercises were every bit as weak as the book exercises. They were particularly deficient in building listening skills. There should have been aflot more listening content at an easier comprehension level in the beginning units. I found the speakers hard to follow because they spoke too quickly. Which, in chapter three, would have been ok, but to start, that was not a recipe for success.

I suppose you could make the case that this book is teaching conversational Italian, but I do not think it succeeds there, either. It is hard to make small talk conversation when foundation skills are so weakly wrought that it is hard to construct sentences on the fly.

I am sure there are much better books out there. The online content for Prego! looked great, I wish that book had been chosen for our class.

7 of 9 people found the following review helpful.
Check twice
By Gioia
Please check twice before ordering this ACTIVITIES MANUAL. I thought I was ordering the TEXTBOOK! This was a fairly expensive mistake. I ended up ordering the THIRD EDITION of the text. That meant that I have a workbook that doesn't follow the text; but it is good practice (without the disk that comes with the 4th edition).

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Wednesday, September 26, 2012

[W548.Ebook] Ebook Free The Fence: A Police Cover-up Along Boston's Racial Divide, by Dick Lehr

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The Fence: A Police Cover-up Along Boston's Racial Divide, by Dick Lehr

“A monumental account of an urban travesty….[It] has all the earmarks of a classic.”
—Dennis Lehane, New York Times bestselling author of Mystic River and Shutter Island

Dick Lehr’s The Fence, subtitled, “A Police Cover-up Along Boston’s Racial Divide,” is a shocking true story of racism, brutality, official lies and negligence, when the truth about the savage beating of black plainclothes policeman by white officers was hidden behind a “blue wall of silence.”� Respected journalist Lehr, winner of the Hancock Award, the Loeb Award, finalist for the Pulitzer Prize, and bestselling author of Black Mass and Judgment Ridge, sheds a brilliant light on all aspects of this powerful, disturbing event and its aftermath.

  • Sales Rank: #172092 in Books
  • Published on: 2010-06-15
  • Released on: 2010-06-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .94" w x 5.31" l, .69 pounds
  • Binding: Paperback
  • 416 pages

Most helpful customer reviews

11 of 11 people found the following review helpful.
Enterprise Journalism At It's Best
By Skip
'The Fence' by Dick Lehr

'The Fence' by Dick Lehr, co-author of the bestselling Black Mass, is a tremendous recount of one of Boston's most notorious episodes of police brutality and the disastrous effects of the 'blue wall' of silence. Two heroic and hero cops are at the center of this devastating tale: Michael Cox & Kenny Conley. One beaten for doing his job; one who suffers for the sins of other rogues. One black and one white.

The story gets humming in the first 30 pages with the retelling of an unprecedented car chase through the toughest streets of Boston in search of suspects in a just committed murder. The subsequent (accidental) beating of a plain clothed black officer during the tumult that followed this chase, the police cover up and legal proceedings which resulted are reconstructed with an unparalleled eye for detail.

Lehr, a former reporter for one of Boston's broadsheets, demonstrates a passion for the facts - and he remarkably gets them all straight in 'The Fence'. Considering the level of deception, beginning the early morning of the crime, continuing through the internal affairs investigation and later trials, I'm amazed the author was able to present this tale to the reader in such a clear and entertaining fashion. His sharp declarative sentences make one feel as if you're reading a wonderfully hard hitting piece of enterprise journalism...all too often missing in today's sea of journalistic mediocrity.

Coming from a police family, it's difficult to read some of what is described in this book. However, it's equally critical, for police allies and critics alike, to understand the potential repercussions of the so-called 'blue wall'. When the wall goes up, law enforcement can fail, not only the public they're tasked with protecting and serving, but their own brothers in blue.

All in all, this is an important and informative read which is worth every bit of it's price in hardcover. A+

4 of 4 people found the following review helpful.
page turner legal/crime story
By D. Simons
I followed the twists and turns of this story when I lived in Boston, almost entirely through Dick Lehr's exceptional investigative journalism. Lehr has pieced together evidence from all of the people involved in this horrific tale of police brutality, police stonewalling, and the possibly innocent cop who was the one person convicted in the case. It has all the twists and turns of a good legal/crime thriller, but its even more powerful given that it actually happened. Lehr's writing in the Boston Globe over the years played a major role, perhaps the central role, in bring to public awareness all of the important questions raised by the case. Not surprisingly, the book is exceptionally well written, and tells the entire story in a single narrative for the first time. Highly recommended!

2 of 2 people found the following review helpful.
Shocking and sad all at the same time but a great story none the less
By R. C Sheehy
Dick Lehr is one of the best, if not the best, crime beat writers in the country today and he proves it again with "The Fence." This is a story where there are really no winners. Michael Cox, the officer who was beaten was the victim of excessive force and instead of doing their jobs, the other officers chose to lie and block any investigation into the event. In a sick twist, he was subjected to harassment and treated worse than a criminal by men sworn to uphold the law. This is a long overdue indictment of how cops believe the law does not apply to them.

The story reads very well and as usual Lehr is spot on with his facts and in creating empathy for the right people in the story. I only give it four stars instead of five because I believe he was too lenient on the Mayor and Police Commissioner. Through their silence they allowed this all to happen and it is only a shame they never had to explain in court why they did.

All in all this is a great read and I highly recommend it!

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[R667.Ebook] Ebook Download Asphodel, by Hilda Doolittle (H.D.)

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Asphodel, by Hilda Doolittle (H.D.)

"DESTROY," H.D. had pencilled across the title page of this autobiographical novel. Although the manuscript survived, it has remained unpublished since its completion in the 1920s. Regarded by many as one of the major poets of the modernist period, H.D. created in Asphodel a remarkable and readable experimental prose text, which in its manipulation of technique and voice can stand with the works of Joyce, Woolf, and Stein; in its frank exploration of lesbian desire, pregnancy and motherhood, artistic independence for women, and female experience during wartime, H.D.'s novel stands alone.
A sequel to the author's HERmione, Asphodel takes the reader into the bohemian drawing rooms of pre-World War I London and Paris, a milieu populated by such thinly disguised versions of Ezra Pound, Richard Aldington, May Sinclair, Brigit Patmore, and Margaret Cravens; on the other side of what H.D. calls "the chasm," the novel documents the war's devastating effect on the men and women who considered themselves guardians of beauty. Against this riven backdrop, Asphodel plays out the story of Hermione Gart, a young American newly arrived in Europe and testing for the first time the limits of her sexual and artistic identities. Following Hermione through the frustrations of a literary world dominated by men, the failures of an attempted lesbian relationship and a marriage riddled with infidelity, the birth of an illegitimate child, and, finally, happiness with a female companion, Asphodel describes with moving lyricism and striking candor the emergence of a young and gifted woman from her self-exile.
Editor Robert Spoo's introduction carefully places Asphodel in the context of H.D.'s life and work. In an appendix featuring capsule biographies of the real figures behind the novel's fictional characters, Spoo provides keys to this roman � clef.

  • Sales Rank: #1519770 in eBooks
  • Published on: 2012-10-01
  • Released on: 2012-10-01
  • Format: Kindle eBook

From Publishers Weekly
If we can ignore the fact that its author dashed the word ``Destroy'' across the sole manuscript of this work, the first publication of Asphodel should be greeted as a boon for scholars and readers alike. pk The novel is like a time capsule. Its style is the high modernism of Woolf, Pound and Joyce, and its content is the autobiographical story of Hermione Gart begun in the poet H.D.'s novel HERmionesic . The first part concerns Hermione's life in Paris and London before WW I and details her relationships with George Lowdnes (a character evidently inspired by Ezra Pound), Fayne Rabb, and Jerrold Darrington, whom she eventually marries. Marriage is the dominant theme, as if, beneath the flowing modernist surface, there lurks a traditional novel of manners. But with a difference: we see Fayne and Hermione subtly drawn into orthodox alliances and roles, which spell the end of their lesbian affair. Part II has a sharper edge, since it concerns WW I and the end of a civilization. Hermione's marriage also fails and she is left to find other loves, conventional and unconventional. Despite occasional turgid passages, this is a poet's prose, unashamedly lyrical--and now, 70 years hidden, suddenly fresh and experimental.

Copyright 1992 Cahners Business Information, Inc.

Review
"Asphodel is a brilliant experimentalist text important to the history and theory of both modernism and women's writing."—Susan Stanford Friedman, author of Penelope's Web: H.D's Fictions and the Engendering of Modernism


"This novel . . . is a considerable lyric meditation on femaleness, sexual and maternal choices, and the meanings of war, history, and violence. Its publication adds a striking text to the modernist canon."—Rachel Blau DuPlessis, author of H.D.: The Career of that Struggle

From the Back Cover
"This novel . . . is a considerable lyric meditation on femaleness, sexual and maternal choices, and the meanings of war, history, and violence. Its publication adds a striking text to the modernist canon."--Rachel Blau DuPlessis, author of "H.D.: The Career of that Struggle"

Most helpful customer reviews

4 of 5 people found the following review helpful.
H.D. Through the Looking Glass
By dapkim@imap2.asu.edu
With _Asphodel_, Hilda Doolittle takes her readers across the Atlantic and introduces them to the literati of the early twentieth century. Her thinly veiled portrayals of Ezra Pound, Dorothy Shakespear, William Carlos Williams, and D.H. Lawrence are insightful and perhaps far more accurate than any biography would dare to be. While it is difficult to believe that she was as naive an ingenue as she attests, it is harder still not to sympathize with the youthful poet determined to succeed abroad even though discarded by the charming but inattentive Pound. This novel is one of H.D.'s best, clearly as strong an example of her writing as _Bid Me to Live_ and _Paint it Today_. While still not consdered a first-rank Modern, Hilda Doolittle is arguably one of the most important literary figures of her day. Her description of the Moderns abroad is flawless and no examination of the Modern era can be complete before reading her prose.

0 of 0 people found the following review helpful.
Not for everyone, but beautiful
By M. Deery
Stream of consciousness writing, semi-autobiographical, and a book that just sweeps over you. Not for those expecting a straight story, but worth the investment.

9 of 18 people found the following review helpful.
Boon for scholars, bane for readers
By Rose M. Nunez
H.D. was seized by a flash of wisdom when she pencilled "DESTROY" across the manuscript of Asphodel; it's a pity her eager publishers didn't heed her sense. As I understand it, this text was coveted by feminist and LGBT scholars who wanted to recover a major work by a lesbian modernist. Unfortunately, Asphodel is major only in the sense that it is long, and modernist only insofar as its landscape is obsessively internal. As for any "lesbian" theme, there's nary a hint of affection, much less desire, for another human being in this tedious aria of self-justification. H.D lays waste to page after page with bitter monologues about how her own exquisitely quivering sensitivities are forced to suffer everyone else's idiocies. It's like reading the diary of an unpopular and astonishingly dense fifteen-year-old.
Wade through this only if you're an H.D. scholar, or if you're really into playing guess-the-literati.

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Thursday, September 13, 2012

[W939.Ebook] Get Free Ebook Nora Roberts ~ In The Garden Series ~ 3 books (In The Garden, Blue Dahlia, Black Rose, & Red Lily), by Nora Roberts

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Nora Roberts ~ In The Garden Series ~ 3 books (In The Garden, Blue Dahlia, Black Rose, & Red Lily), by Nora Roberts

  • Sales Rank: #8485962 in Books
  • Published on: 2004
  • Binding: Perfect Paperback

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Saturday, September 1, 2012

[I161.Ebook] Ebook Free Electromagnetic Waves, Second Edition, by Carlo G. Someda

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Electromagnetic Waves, Second Edition, by Carlo G. Someda

Adapted from a successful and thoroughly field-tested Italian text, the first edition of Electromagnetic Waves was very well received. Its broad, integrated coverage of electromagnetic waves and their applications forms the cornerstone on which the author based this second edition. Working from Maxwell's equations to applications in optical communications and photonics, Electromagnetic Waves, Second Edition forges a link between basic physics and real-life problems in wave propagation and radiation.

Accomplished researcher and educator Carlo G. Someda uses a modern approach to the subject. Unlike other books in the field, it surveys all major areas of electromagnetic waves in a single treatment. The book begins with a detailed treatment of the mathematics of Maxwell's equations. It follows with a discussion of polarization, delves into propagation in various media, devotes four chapters to guided propagation, links the concepts to practical applications, and concludes with radiation, diffraction, coherence, and radiation statistics. This edition features many new and reworked problems, updated references and suggestions for further reading, a completely revised appendix on Bessel functions, and new definitions such as antenna effective height.

Illustrating the concepts with examples in every chapter, Electromagnetic Waves, Second Edition is an ideal introduction for those new to the field as well as a convenient reference for seasoned professionals.

  • Sales Rank: #3167910 in Books
  • Brand: Brand: CRC Press
  • Published on: 2006-01-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 1.31" w x 6.14" l, 2.16 pounds
  • Binding: Hardcover
  • 600 pages
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  • Used Book in Good Condition

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Very Well Written and Superb Clarity
By deskswirl
If I were ever to teach a course to advanced undergraduates or beginning graduate students on this subject I would seriously consider using this book. The first edition served me well as a useful reference during graduate courses on Electromagnetics which resulted in me purchasing a copy of the second edition! I appreciate the author including material on Microwaves, Optoelectronics and Optics. My particular favorite chapters are the last two on Diffraction and Coherence - topics that are not usually included in American texts intended for the same audience. I only wish I had the ability to read it in the original Italian.

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[W851.Ebook] Download Unthink: Rediscover Your Creative Genius, by Erik Wahl

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Unthink: Rediscover Your Creative Genius, by Erik Wahl

In the tradition of A Whole New Mind and The War of Art, graffiti artist and corporate thought leader, Erik Wahl explores the power of creativity to achieve superior performance.

Somehow we’ve come to believe that creativity is reserved for the chosen few: the poets, the painters, the writers. The truth is creativity is in all of us and re-discovering it is the key to unlocking your fullest potential.

Unthink pushes us beyond our traditional thought patterns. It will inspire everyone to realize that we are capable of so much more than we have pre-conditioned for. Creativity is not in one special place--and it is not in one special person. Creativity is everywhere and in everyone who has the courage to unleash their creative genius.

  • Sales Rank: #84715 in Books
  • Brand: Erik Wahl
  • Published on: 2013-06-04
  • Released on: 2013-06-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .80" w x 5.70" l, .74 pounds
  • Binding: Hardcover
  • 224 pages
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  • Unthink Rediscover Your Creative Genius

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"Erik Wahl's UNTHINK is Creative Detox at the highest level.  It's a kick in the pants that will send you sailing out of the box -- back to "beginner's mind," to child-like courage, to that place of play where all wonderful work originates.  Erik Wahl is a force of nature.  UNTHINK is his relentless, playful ethos in a bottle.  I love the concept, I love the title. Five Un-Stars!" -Steven Pressfield, bestselling author of The War of Art and Turning Pro

"UNTHINK will catapult you forward to unlock and unleash your creative genius. This thought provoking book is an extension of Erik Wahl's electrifying keynote performance that will inspire you grow your dreams and challenge your traditional thought patterns to achieve excellence in both business and in life." -Ken Blanchard, bestselling co-author of The One Minute Manager
 
"Erik Wahl has made creativity his life's study. In the pages of UNTHINK, you'll find inspiration for your own creative journey.  Even better, you'll discover that you won't have to travel far -- the answers are all around you." -Daniel H. Pink, bestselling author of Whole New Mind, Drive, and To Sell Is Human

About the Author
Erik Wahl is an artist, author, and entrepreneur who has become a catalyst for inspiring professionals to achieve extraordinary levels of performance. Internationally recognized as a thought provoking graffiti artist and one of the most sought-after speakers on the corporate lecture circuit, Wahl’s process of creating “disruptive innovations” in both art and business has led to countless stories of breakthrough success. Wahl’s artwork has raised millions of dollars for charities and can be seen hanging prominently in executive offices around the world. Erik, Tasha, and their three sons live in Southern California.

Excerpt. © Reprinted by permission. All rights reserved.
1

What Was Right About You

Every child is an artist. The problem is how to remain an artist once we grow up.

--Pablo Picasso

Ask a roomful of five-year-olds how many are artists and every hand will shoot up. Ask a roomful of thirty-five-year-olds the same question and you might get one reluctant hand. Why is that?

The answer to that question begins by understanding who you and I were as children.

For years studies have shown that you were born with an ability to initiate new ideas and solve problems uniquely. "Children have an inbuilt drive for discovery," explains Tim Seldin, president of the International Montessori Council. "This drive for discovery continues to develop as they grow and become more adventurous in the things that they try out, from making mud pies in the garden to starting a worm farm in the living room. Children are born with marvelous imaginations and a keen desire to explore the world."1 In other words, you were born an artist--an individual with a large capacity to learn, adapt, and develop new ideas and solutions at any moment.

As a child, your brain thrived off what neurologists call your "right hemisphere"--the part of your brain that's in charge of intuition and creative, social, and visual skill: the part of your brain that embraces new and unconventional ideas, the part that is fascinated by surprise, the part that doesn't need everything to be neat and tidy and perfectly defined in order to find value. As a result, your mind was an ever-looping reel of whys and, more important, why nots. Curiosity was on overdrive. Imagination was rampant. Inspiration was anywhere and everywhere. The world was your canvas and the rules of creation were few if any.

Young boys turn sticks into swords and fight imaginary battles on a daily basis. They turn gutter streams into mighty rivers on which to sail their paper-made ships. Adventure, imagination, risk--these are hardwired into young boys. The type of toys they have or the locale in which they play doesn't matter either. If a journey beckons, they will find what they need or make it out of anything in reach.

Boys don't need to be taught to be creative. It pours out of them. And they are not the only ones.

Young girls transform themselves into ballerinas with lip gloss and any dress that fans with a twirl. Their dolls and stuffed animals become companions on a quest to find their prince and attend the great ball. Or they too venture off into the great unknown--to make the next great discovery, or to find the buried treasure, or to simply explore the outer reaches of their imaginary world.

For young boys and girls alike, exploration is their daily reality.

Do you remember when your days were governed by your imagination? You could be whoever or whatever you wanted. You could travel around the world--even beyond the world--at the drop of a thought. There were no rules that said you couldn't or shouldn't because it wasn't time productive. Pragmatism, logic, and even safety did not stand in the way. You were free to sculpt your days into works of art--tangible representations of your unique creativity--filled with joy, enthusiasm, and fulfillment.

We functioned this way as kids because our worldview was incomplete. To learn and grow, we needed to be mass collectors of information through our various senses. We were learning a language. We were figuring out how to relate to others. We were discovering the laws of physics and learning how to run and jump, and to use our muscles and limbs more efficiently. In short, we were cross-training for the many scenarios life would eventually toss at us in rapid succession. Our primary environment needed to be a rich, vibrant, and imagination-fostering one.

Many companies around the world have created offices that mirror kindergarten classrooms, hoping to spark that same rich, vibrant environment of childhood. Companies like Google have used unconventional environments to help them create cutting-edge products. The company allows its engineers to spend 20 percent of their work hours exploring anything that triggers their curiosity. The freedom allows employees to work alone and focus on something that tempts their fancy. It also allows employees who wouldn't normally intersect during the workweek to sit down together and let their ideas collide. Some of Google's greatest products grew out of this freedom--Gmail, Google Earth, Google Labs, and its flagship AdSense program.

What many don't know is that while Google hasn't admitted its inspiration for its 20 percent perk, it was probably the mining and manufacturing giant 3M, which began allowing its employees to spend 15 percent of their work time exploring the recesses of their imaginations in 1948. The company wanted to stand out in a postwar America, when rigidity defined the corporate landscape. It did so and continues to do so today. Its legendary Post-it notes were birthed by an employee named Art Fry during his 15 percent exploration time; but that is only one of more than twenty-two thousand patents that have created approximately fifty thousand different products that bring in more than $20 billion annually.2 3M is an innovation volcano.

Could we be oversimplifying the reasons for such companies' constant creativity when we link it to their promotion of employee imagination and exploration? While there are certainly other factors that make the Googles and 3Ms of the world so hypercreative, when asked, the employees themselves, from executive to entry level, point to this free time as the major catalyst in shaping the companies' continued success. When Marissa Mayer was Google's VP of search products and user experience (she's now CEO of Yahoo!), she estimated that approximately half of Google's new products were the result of employees' 20 percent time.3 Kurt Beinlich, a technical director for 3M, explained that his company's 15 percent time has "shaped what and who 3M is."4

There is something freeing, something magical, something exuberant, about an environment where we are not hemmed in by rules and time lines and are instead opened up to imagination, possibility, and learning. This describes the landscape of early childhood.

The idea of returning to childhood for wisdom is nothing new. While the world's greatest teachers and thinkers have for centuries debated every topic and philosophy under the sun, one thing they have agreed on is the need for adults to become like children again in order to not only see our days in their fullest colors but also to pull ourselves out of ruts and push us through life's challenges.

Jesus famously scolded his disciples when they kept the children in a crowd from approaching him. "Let the little children come to me," he insisted, "and do not hinder them, for the kingdom of heaven belongs to such as these."5 Sigmund Freud lamented, "What a distressing contrast there is between the radiant intelligence of the child and the feeble mentality of the average adult." Heraclitus wrote, "Man is most nearly himself when he achieves the seriousness of a child at play." Friedrich Nietzsche asserted, "In every real man a child is hidden that wants to play." And according to Mahatma Gandhi, "The law of love could be best understood and learned through little children."

Albert Einstein once wondered how it came to be that he was the one to develop the theory of relativity. He explained, "The reason, I think, is that a normal adult never stops to think about problems of space and time. These are things which he has thought of as a child. But my intellectual development was retarded, as a result of which I began to wonder about space and time only when I had already grown up. Naturally, I could go deeper into the problem than a child with normal capabilities."6

In Einstein's opinion, his genius was the result of remaining childlike into his adult life. He would later famously assert that "imagination is more important than knowledge."7 It's a surprising assertion from the iconic genius. It is also surprising to learn that Einstein was no child prodigy. He was what we would call today a remedial student and a problem child.

"Einstein was slow in learning how to speak . . . ," explains Einstein biographer Walter Isaacson. "He also had a cheeky rebelliousness toward authority. . . . But these traits helped make him a genius. His cocky contempt for authority led him to question conventional wisdom. His slow verbal development made him curious about ordinary things . . . that most adults take for granted."8

Fortunately for Einstein--and the world--his parents rejected the traditionalist notions that their child was problematic. They continued to support his wild mind and unconventional habits. It paid off when he was old enough to channel his artistry with more developed skill and precision.

This childlikeness--or in some respects childishness--was also responsible for the birth of what we know today as Outward Bound, the world's largest outdoor experiential-education organization with facilities in thirty countries and six continents. Today the organization's original, unorthodox training is offered through courses for corporate team building, inner-city youth, and specific populations like alcoholics and growing families. These courses are based on founder Kurt Hahn's belief that when people are reintroduced to adventure, exploration, and risk they are able to redefine or expand their perceptions of what is possible not only in their own lives but in the lives of those around them. "There is more in us than we know," he wrote. "If we can be made to see it, we will be unwilling to settle for less."9 The name "Outward Bound" says it all. It is a nautical term coined by Sir Lawrence Holt, a British shipping baron whose money and resources helped greatly expand the organization. It was used to describe a ship leaving the safety of its harbor and embarking on the mysterious open seas. This outward-bound inclination is something you and I followed instinctively as children.

Armed with only our imagination and the basic trappings of our bedrooms, basements, or backyards, we left the safe harbor on a daily basis. We climbed on counters, then climbed trees, then attempted to scale our houses. We leapt off the bottom stairs, then the middle stairs, then the backyard fence. Dangerous, inexplicable worlds called to us. We ran faster. Flew higher. Danced harder. Yelled louder. We exhausted ourselves in exploration and innovation. And we learned more in our first seven years than we learn in any other seven-year span in our lives.

We were truly wired to create when we were young. This doesn't mean we should stop exploring, discovering, and innovating once we are older. Today's reasons for creative breakthrough may be even stronger. We should be inspired by the fact that as adults we are far more equipped to do something truly meaningful and lasting with our discoveries. Not only can we make our lives an everyday adventure; we can enlighten the lives of others too. But to achieve our full potential, we have to do away with the notion that curiosity, imagination, and exploration are child's play.

What Einstein, Nietzsche, Gandhi, and Jesus understood is that there are unspoken maxims we embrace as children that even the most educated, experienced, advanced adults should never abandon if we want our days to still fascinate and fulfill us.



1. Mystery Adds Meaning

When Isaac Newton was asked to describe his most productive days as a scientist, he explained, "I was like a boy playing on the sea-shore, and diverting myself now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me." When mystery leads, curiosity follows. Whys, Why nots, and What ifs. There are few things more constant in a child's life than curiosity.

When curiosity is a driving force, a person remains interested, present, in passionate pursuit. Kids are notorious for driving their parents crazy with their incessant questions. But these questions are the reason they learn so much so quickly. They also keep life interesting.

Consider the greatest films you've seen or books you've read. It was undoubtedly the mysterious elements of them that kept your interest piqued and senses sharp in order to satisfy your curiosity. Mystery is the reason you watch an intense five-minute sequence in a film and wonder if you took a single breath. It's the reason your limbs can unknowingly fall asleep in the midst of an engaging conversation with someone you love. It's the reason we are still fascinated by other galaxies and outer space and the possibility of life on other planets. Mystery is the reason people like business tycoon Sir Richard Branson, Titanic and Avatar director James Cameron, and Amazon CEO Jeff Bezos spend millions of dollars to explore the deepest depths of the world's oceans.

There is promise in mystery: the promise of virgin paths and uncharted waters. And, if we keep searching, there is the promise of discovery. Mystery makes everything more interesting, and more interesting means more meaningful. Creativity is born of mystery.



2. Ignorance Leads to Breakthroughs

"Einstein's vast knowledge of mathematics and science increased steadily throughout his life," explains author Scott Thorpe in his book How to Think Like Einstein. "But when we look at Einstein's problem-solving output something seems wrong. . . . The most profound breakthroughs came during a remarkable year during the beginning of his career. But in later years, Einstein's problem solving dropped off." Thorpe goes on to describe a fascinating and revealing trend in the life of the archetypal genius. It was during his first year out of college, while he was working at the Swiss patent office "reviewing improvements to laundry wringers" and doing physics "on the side," that he discovered E = mc2. He was no less brilliant in the subsequent years and in fact knew more about science and math and had more uninterrupted time to focus on his experiments alone and with the greatest fellow minds of the day. And yet, as Thorpe points out, "he didn't solve any more scientific problems."

"We would expect Einstein's problem solving to correlate with his intelligence and knowledge," concludes Thorpe. "Instead, his problem-solving ability declined as his knowledge increased. Innovation was highest when knowledge was lowest."10



1. Tim Seldin, "Children Are Little Scientists: Encouraging Discovery Plan," n.d., http://childdevelopmentinfo.com/child-development/children-little-scientists.shtml.

2. Kaomi Goetz, "How 3M Gave Everyone Days Off and Created an Innovation Dynamo," n.d., www.fastcodesign.com/1663137/how-3m-gave-everyone-days-off-and-created-an-innovation-dynamo.

3. Glenn Llopis, Earning Serendipity: 4 Skills for Creating and Sustaining Good Fortune in Your Work (Austin, TX: Greenleaf Book Group, 2008).

4. Goetz, "How 3M Gave Everyone Days Off and Created an Innovation Dynamo."

5. Matthew 9:14 (New International Bible, 2011).

6. Ronald W. Clark, Einstein: The Life and Times (1971; repr., New York: Avon Books, 1984), 27-28.

7. Albert Einstein, Cosmic Religion: With Other Opinions and Aphorisms (New York: Covici-Friede, 1931), 97.

8. Walter Isaacson, "20 Things You Need to Know About Einstein," Time, April 5, 2007.

9. Outward Bound, "History," 2010, www.outward-bound.org/about/history.html.

10. Scott Thorpe, How to Think Like Einstein: Simple Ways to Break the Rules and Discover Your Hidden Genius (Naperville, IL: Sourcebooks, 2000), 5-6.

Most helpful customer reviews

4 of 5 people found the following review helpful.
Motivates oneself to create once again.
By M...Duff
I looked forward to purchasing this book when I first learned that Erik was having this published. I knew I would enjoy the read but did not expect it to cause me to make changes in my daily life. I cannot remember any read other than some spiritual books that had me still thinking about the reading hours and days after finishing each chapter. I so enjoyed this book that I'm recommending our management team read the book and then have a series of meetings in a non work setting to discuss how we can implement some of the suggestions written. My mind has not stopped thinking about being more creative in all that I do. I actually feel energized to break processes that are perceived not broken. I'm confident efficiencies will be gained. Thanks Erik. I'm glad to have had the opportunity to meet Erik and experience his awesome creativity. This book did not disappoint.

1 of 1 people found the following review helpful.
UNthink Is The Real Deal
By Ken H
If you are looking for a creative, unconventional way to improve your life, this is the book for you. If you've ever had the privilege of seeing one of Erik's shows then you will be enjoying even that much more because you can read it and see him speaking these words to you. Even if you've never seen Erik in person, this book will touch your soul and encourage you to find that creative inner soul you once had. AAA+!!

6 of 7 people found the following review helpful.
5 Stars All The Way
By Amazon Customer
I can't recommend this book enough. As someone that has followed Erik and his Art Drops, it's amazing to see how he came up with that idea. This book walks you through the process of rediscovering your creativity! Erik doesn't tell you to quit your job in this book, what he does is encourage you to find your passion, then he shows you how to do that! When is the last time you could spend $15 for a blueprint on how to achieve a better life? If you are stuck in a rut, this book will help you get out of that rut! Don't just buy 1 for yourself, buy at least 1 more to give away to a dear friend, I did, in fact I bought 10 to give to camp counselors!!!!!!!!

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[S140.Ebook] Free PDF Shoulder Surgery Recovery: Over 100 Tips and Strategies to Make it Much Easier, by Anne Talmage Cooksey

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Shoulder Surgery Recovery: Over 100 Tips and Strategies to Make it Much Easier, by Anne Talmage Cooksey

Are you or someone you know thinking about having shoulder surgery? Are you at the end of your rope trying to figure out how you are supposed to manage during the long months of recovery? Here's great news! This book is chock full of tips and strategies to help you navigate through all the different phases of recovery. You'll learn everything from where to sleep to how to dress yourself with only one hand without falling over! Learn how to work smarter, not harder during your own unique recovery. Find ways to be more compassionate with yourself and your progress as you move through each phase of the journey. You may find your shoulder surgery recovery time more rewarding than you dreamed possible!

  • Sales Rank: #71227 in Books
  • Published on: 2015-12-17
  • Original language: English
  • Dimensions: 8.00" h x .38" w x 5.00" l,
  • Binding: Paperback
  • 150 pages

Most helpful customer reviews

26 of 27 people found the following review helpful.
Good Advice. You'll learn a lot.
By Old Guy
I had my 4th rotator cuff repair last week. My first was in 1983, right shoulder, second 1990 left shoulder, third 2001 right shoulder, and now my left shoulder again. All were different and physical therapy varied greatly depending on therapist. This last surgery was very complicated. Huge rotator cuff tear, torn bicep, bone spur, and arthritis. I had no prior knowledge about what to expect before my first surgery and a book like this would have helped a lot. All my experiences were quite different from the authors. I don't understand why she was left to pretty much fend for herself when bathing, dressing, removing her sling, and apparently pretty much everything. Where was her husband? My wife was a great assistant helping me through everything. We are now both retired and with her being with me at all times, I don't have to take any chances as the author apparently did.
I would like to add a few suggestions to others about to go through surgery. The author had some great suggestions of items to buy. I'll add a few more. Buy a good mat for your tub or shower so you don't slip. Buy a very long hose so you can use a shower head attachment that can reach all parts of your body while sitting in a shower chair. Buy a back brush to keep by your sink so you can have a handle to hold with your bad arm while washing your good hand with the brush. Buy a tooth numbing gel such as Hurricain sold here on Amazon. Those sticky pads used on monitors can leave a residue that can itch for days. The numbing gel gives much needed relief. Buy a nylon mesh sling here at Amazon to wear while showering and use a small memory foam pillow to hold your arm out like the pillow on your regular sling does. The author took a huge chance bathing without wearing a sling. My regular sling is made of a padded synthetic material that caused my forearm to itch and break out in a rash. My wife put a cotton dish towel between my arm and the sling. That took care of the rash and itching.
After four rotator cuff surgeries I've learned a lot, but my best advice is get help with as much as you can if there is any chance you may cause further injury to your shoulder. Get creative to make things as easy as possible. Take things slow and easy, do your therapy and you'll be a functioning person before you know it. Be prepared to make compromises for the rest of your life because your shoulder will never be as good as it once was.

19 of 21 people found the following review helpful.
Very good heads up with things to think about in advance.
By emma
This was a good heads up of what to expect. The author is a little over the top, but surgery is scary. This surgery ranks very high on my list of painful surgeries. I have had several. I am 10 weeks out and still need PT. Some of the items that she recommended, are no longer available and not necessary. I did cut some T-shirts but not her way. I cut out the ribs around the necks and the sleeves and opened under the arm pits a little. I wore these for about 2 weeks. She did have lots of recommendations. I prepared accordingly. Some things I did not feel a need for, some things, I bought and did not use. It is a good summary of what you might encounter and well worth the price. It was easy to read and I took one recommendation for sure. Do not leave your clothes in a drawer or closet. I did put a chair in my room and piled the necessary stuff on the chair and on the floor for several weeks. about 7. You will not feel like nor want to ask someone else to find your clothes all the time. Her shower preparation recommendations are well taken for safety. One other thing. Follow the doctor's orders, do the PT as required and YOU WILL BE GLAD YOU WENT THROUGH WITH IT. I am still working. Weeks 7-10 and after get easier. I am near the 10 week mark, now.
One thing that I purchased and needed frequently :::: SAFETY PINS not on her list.
I used them to adjust straps on my braces because the shortest adjustment is too long. to hold the adjustments in place because some of the straps kept falling, and for a lot of other nitpicking things during the first few weeks.

7 of 8 people found the following review helpful.
but I found this to be very useful, and
By Pretzel Man
I had surgery 9 days ago for three separate tears and a "shredded" (per surgeon) tendon. I bought this book a few months
ago when I scheduled my surgery, and have found it to be extremely helpful. It helped both me and my wife when it came to
such things as sleeping, clothing, choices, practicing using one arm for a while prior to surgery, knowing what to expect
post-surgery, etc. I have the book next to me as I write this, and refer to it daily. The section on post-surgery depression
aided me quite a bit when mine hit one week out. Getting dressed is now a major undertaking, and knowing in advance
what to anticipate and how to deal with it was quite helpful.

I have done a lot of research and consulting with "Dr. Google" prior to my surgery, and this book discusses a lot of
topics that I did not encounter on line. There is a fair amount of common sense included and some plugs for Amazon
and maybe a couple of other firms, but I found this to be very useful, and, in the case of the free advertising, very much
a time-saver as well.

The only subject that I either missed or that is not included is dealing with those who have not been down this road
and give you the impression that they don't "get it" when it comes to post-surgery restrictions and limitations. If someone
doesn't have knowledge of this procedure or have a friend or relative who has gone through it, the reader should be aware that
they might encounter a range of responses (from humor to sarcasm) when informed " I am not to leave home other than for
medical reasons for two weeks", "the sling stays on 24/7 for at least six weeks - no showers, no sling removal at all for any reason"
(which are two of my instructions), and other restrictions are the reasons for one's inability to do certain activities, travel. etc.
A small section on informing readers that these kinds of comments could be forthcoming so be prepared would, in my opinion, be very
helpful.

When you think about the amounts you'll undoubtedly be shelling out for deductibles, co-pays, prescriptions, equipment and supplies, etc.
related to your surgery, I think the small amount of money that this book costs would be money well spent. My left rotator cuff is
patiently(?) awaiting its turn in the OR, and I guarantee you that I will be referring to this multiple times for that surgery as well.

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