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"DESTROY," H.D. had pencilled across the title page of this autobiographical novel. Although the manuscript survived, it has remained unpublished since its completion in the 1920s. Regarded by many as one of the major poets of the modernist period, H.D. created in Asphodel a remarkable and readable experimental prose text, which in its manipulation of technique and voice can stand with the works of Joyce, Woolf, and Stein; in its frank exploration of lesbian desire, pregnancy and motherhood, artistic independence for women, and female experience during wartime, H.D.'s novel stands alone.
A sequel to the author's HERmione, Asphodel takes the reader into the bohemian drawing rooms of pre-World War I London and Paris, a milieu populated by such thinly disguised versions of Ezra Pound, Richard Aldington, May Sinclair, Brigit Patmore, and Margaret Cravens; on the other side of what H.D. calls "the chasm," the novel documents the war's devastating effect on the men and women who considered themselves guardians of beauty. Against this riven backdrop, Asphodel plays out the story of Hermione Gart, a young American newly arrived in Europe and testing for the first time the limits of her sexual and artistic identities. Following Hermione through the frustrations of a literary world dominated by men, the failures of an attempted lesbian relationship and a marriage riddled with infidelity, the birth of an illegitimate child, and, finally, happiness with a female companion, Asphodel describes with moving lyricism and striking candor the emergence of a young and gifted woman from her self-exile.
Editor Robert Spoo's introduction carefully places Asphodel in the context of H.D.'s life and work. In an appendix featuring capsule biographies of the real figures behind the novel's fictional characters, Spoo provides keys to this roman � clef.
- Sales Rank: #1519770 in eBooks
- Published on: 2012-10-01
- Released on: 2012-10-01
- Format: Kindle eBook
From Publishers Weekly
If we can ignore the fact that its author dashed the word ``Destroy'' across the sole manuscript of this work, the first publication of Asphodel should be greeted as a boon for scholars and readers alike. pk The novel is like a time capsule. Its style is the high modernism of Woolf, Pound and Joyce, and its content is the autobiographical story of Hermione Gart begun in the poet H.D.'s novel HERmionesic . The first part concerns Hermione's life in Paris and London before WW I and details her relationships with George Lowdnes (a character evidently inspired by Ezra Pound), Fayne Rabb, and Jerrold Darrington, whom she eventually marries. Marriage is the dominant theme, as if, beneath the flowing modernist surface, there lurks a traditional novel of manners. But with a difference: we see Fayne and Hermione subtly drawn into orthodox alliances and roles, which spell the end of their lesbian affair. Part II has a sharper edge, since it concerns WW I and the end of a civilization. Hermione's marriage also fails and she is left to find other loves, conventional and unconventional. Despite occasional turgid passages, this is a poet's prose, unashamedly lyrical--and now, 70 years hidden, suddenly fresh and experimental.
Copyright 1992 Cahners Business Information, Inc.
Review
"Asphodel is a brilliant experimentalist text important to the history and theory of both modernism and women's writing."—Susan Stanford Friedman, author of Penelope's Web: H.D's Fictions and the Engendering of Modernism
"This novel . . . is a considerable lyric meditation on femaleness, sexual and maternal choices, and the meanings of war, history, and violence. Its publication adds a striking text to the modernist canon."—Rachel Blau DuPlessis, author of H.D.: The Career of that Struggle
From the Back Cover
"This novel . . . is a considerable lyric meditation on femaleness, sexual and maternal choices, and the meanings of war, history, and violence. Its publication adds a striking text to the modernist canon."--Rachel Blau DuPlessis, author of "H.D.: The Career of that Struggle"
Most helpful customer reviews
4 of 5 people found the following review helpful.
H.D. Through the Looking Glass
By dapkim@imap2.asu.edu
With _Asphodel_, Hilda Doolittle takes her readers across the Atlantic and introduces them to the literati of the early twentieth century. Her thinly veiled portrayals of Ezra Pound, Dorothy Shakespear, William Carlos Williams, and D.H. Lawrence are insightful and perhaps far more accurate than any biography would dare to be. While it is difficult to believe that she was as naive an ingenue as she attests, it is harder still not to sympathize with the youthful poet determined to succeed abroad even though discarded by the charming but inattentive Pound. This novel is one of H.D.'s best, clearly as strong an example of her writing as _Bid Me to Live_ and _Paint it Today_. While still not consdered a first-rank Modern, Hilda Doolittle is arguably one of the most important literary figures of her day. Her description of the Moderns abroad is flawless and no examination of the Modern era can be complete before reading her prose.
0 of 0 people found the following review helpful.
Not for everyone, but beautiful
By M. Deery
Stream of consciousness writing, semi-autobiographical, and a book that just sweeps over you. Not for those expecting a straight story, but worth the investment.
9 of 18 people found the following review helpful.
Boon for scholars, bane for readers
By Rose M. Nunez
H.D. was seized by a flash of wisdom when she pencilled "DESTROY" across the manuscript of Asphodel; it's a pity her eager publishers didn't heed her sense. As I understand it, this text was coveted by feminist and LGBT scholars who wanted to recover a major work by a lesbian modernist. Unfortunately, Asphodel is major only in the sense that it is long, and modernist only insofar as its landscape is obsessively internal. As for any "lesbian" theme, there's nary a hint of affection, much less desire, for another human being in this tedious aria of self-justification. H.D lays waste to page after page with bitter monologues about how her own exquisitely quivering sensitivities are forced to suffer everyone else's idiocies. It's like reading the diary of an unpopular and astonishingly dense fifteen-year-old.
Wade through this only if you're an H.D. scholar, or if you're really into playing guess-the-literati.
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